Title design is a dynamic and interesting subset of the graphic design world. The typeface, font, and formatting of a title all play a part in the overall success or failure of a particular design.

Re: Star Wars font or similar? Hernandiego Oct 31, 2017 7:38 AM ( in response to KimGraphicDesigner ) I realize this is late for the original post, but Restore on Typekit looks very similar to the Star Wars title font. Star Wars Font - Star Wars Font Generator. Star Wars font here refers to the font used in the logo of Star Wars film series. Star Wars is an epic space flim series created by George Lucas.

Using the wrong typeface can throw off the mood of a project faster than Spock beaming up to the Enterprise from an exploding planet Vulcan. A typeface that doesn’t fit can quickly jolt an audience out of a fictional world. Especially in a science fiction film, where you’re trying to get the audience to buy in to the time, place, and concept of the world. Star Trek: The Next Generation just wouldn’t have felt the same if the designers used Papyrus. While all science fiction stories are obviously not based in the future, I wanted to focus on recommending fonts that provide a timeless feel. Designs that give a clean and modern look. How to turn off presenter view in powerpoint mac 2016. Something that will still look futuristic to an audience 30 years from now.

Even if that audience is strictly AI robots we created that eventually took over the world and killed all of us. (Hey, you never know.) These fonts work well as opening titles,, computer readouts, intertitles, or even as logos of futuristic fictional companies. Fonts While I used the term “futuristic fonts” in the title of this article, I think it would’ve been better to go with “futuristic typefaces.” That didn’t seem to flow off the tongue as nicely, however, so I went with the former.

Perhaps to the surprise of many, these two terms are not entirely interchangeable. A typeface is actually a family of fonts, often times from the same designer.

For example, the Futura typeface was designed by Paul Renner in 1927 and has a font family consisting of different weights and styles (bold, medium, italic), each one of those being a different font Get it? When designing a title, doing something as simple as changing the font of a typeface can communicate a very different feel to an audience. The difference between a typeface and a font is only the tip of the iceberg in regards to the complexity of title design. Creators that ignore this area of design are missing out on a huge creative opportunity.

However, you have to know how to do it right. The first step is to learn the lingo.

Anatomy of a Typeface Before we get into the specific fonts to use in a futuristic world, let’s brush up on some typography lingo. You’ll need to understand some of these terms to better understand why certain typefaces work in a science fiction setting while others don’t. The Elements of a Typeface A lot goes into designing a custom typeface.

Click 'My Passport' on the left side of the program window and then select the 'Erase' tab. Click the 'Mac OS Extended' option in the 'Volume Format' menu, then click 'Erase' to format the drive for your Mac. Passport for mac how to use.

Check out the image below just to see how detailed the terminology can become. • X-height – The height of the body of a lowercase letter.

• Ascender line – The invisible line denoting the highpoint of ascenders. • Apex – The point in a letter where left and right strokes meet. • Baseline – The horizontal line where the text sits. • Ascender – The part of the letter that ascends above the x height. • Crossbar – The horizontal stroke in letters. • Stem – The full length vertical stroke of a letter.

• Serif – Extra stroke found at the end of main vertical and horizontal strokes. • Leg – The short descending part of a letter. • Bowl – A rounded and fully closed part of a letter.

• Counter – The space in a closed or partially closed area of a letter. • Collar – The stroke of a letter attaching two bowls. • Loop – The enclosed or partially enclosed counter below the baseline of a double-story g. • Ear – A small stroke extending from the upper-right side of the bowl of a lowercase g. • Tie – A horizontal middle stroke. • Horizontal bar – A horizontal stroke. • Arm – A horizontal or upward sloping stroke that does not connect to a stroke or stem on one or both ends.